By Duy Linh Tu
Feature and Narrative Storytelling for Multimedia Journalists is the 1st textual content that really makes a speciality of the multimedia and documentary construction thoughts required by means of specialist reporters. Video and audio construction equipment are lined in wealthy element, yet extra importantly, numerous storytelling ideas are explored extensive. Likewise, writer Duy Linh Tu tackles the most recent themes in multimedia storytelling, together with cellular reporting, generating, and publishing, whereas additionally supplying most sensible practices for utilizing social media to aid advertise entire items.
Whether you’re a scholar, a qualified looking new concepts, or just trying to replace your abilities for the recent electronic newsroom, this ebook offers you the data and instruments you want to prevail as a certified journalist.
- Integrated: The classes during this booklet deftly mix conventional media creation ideas with storytelling craft. it truly is written with the point of view of recent expert reporters in mind.
- Practical: While wealthy with conception, this article relies at the real-world paintings of the writer and a number of other of his colleagues. It positive aspects Q&As with the superior editors and video manufacturers from best guides, together with NPR, Vice, and Detroit loose Press, in addition to profiles of prime video information businesses reminiscent of Frontline, Mediastorm, and Seattle Times.
- Proven: The author uses pedagogy from the world-renowned Columbia Journalism college in addition to case reports from his personal award-winning work.
- Interactive: The textual content is workout- and drill-based, and the better half site presents multimedia examples and lesson records, in addition to tutorials, case stories, and video interviews.
Read or Download Feature and Narrative Storytelling for Multimedia Journalists PDF
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Extra info for Feature and Narrative Storytelling for Multimedia Journalists
Listen like an editor: if the answer isn’t complete, circle back and ask the question again. When you are in the field, what is in your gear bags? I shot with a Canon 5D for a long time but now I’m working with a Canon C100. I used Canon gear because I have the lenses and I find the cameras are ergonomic and intuitive. For lenses, I concentrate on IS lenses because they’re stabilized and smoother when I’m on a monopod or hand held. My main lens is a 24–105mm f/4 IS lens. Then I have a 70–200mm f/4 IS lens,Â€a 100mm macro IS, and a 35mm f/2 IS for low light situations.
9 The image on the right was shot at a shutter speed of 1/1000, twice as fast as the image on the left shot at a shutter speed of 1/500. 10 A shutter speed that is too low can create unwanted ghosting in your footage. closely mimics the motion blurring seen in cinema. A faster shutter speed will result in footage that appears to stutter. A slower shutter speed will result in blurry or ghosting images. Occasionally, videographers will use different shutter speeds to get specific visual effects. But, in general, this should be avoided.
A faster shutter speed will result in footage that appears to stutter. A slower shutter speed will result in blurry or ghosting images. Occasionally, videographers will use different shutter speeds to get specific visual effects. But, in general, this should be avoided. ISO. The ISO metric was named after the International Standards Organization, the group that developed the standard for measuring the speed, or light sensitivity, of film. While we shoot digital video these days, we still use the term film speed, or ISO, to discuss sensitivity to light.