Does twenty-first century fiction provide the reader identifiably new fictional types, topics, features or tropes? What theoretical principles top describe the doubtful international we look now to be dwelling in? What are the main fascinating and critical novels of the twenty-first century and what do they let us know in regards to the modern occasions we are living in? those are the most important questions engaged with during this new serious quantity of essays on twenty first century fiction. The chapters discover the paintings of writers as assorted as Salman Rushdie, David Peace, Ali Smith, Margaret Atwood, Iain Banks, China Miéville, Trezza Azzopardi, John Burnside and Hilary Mantel intensive and at size, constructing clean serious ways to paintings that's surely of our time. all through this specified assortment the purpose is to spot what's particular and cutting edge in regards to the person novels and approximately twenty first century fiction normally.
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Extra resources for Twenty-First Century Fiction: What Happens Now
Johnson: A Critical Reading (2001). Johnson, since his suicide in 1973, had been infrequently anthologised and only occasionally name-checked as, Glyn White writes, ‘emblematic of a period representative of the spirit of protest against the status quo in British fiction in the 1960s and early 1970s’ (2005, p. 84). In recent years he has become iconic. Coe, in his literary biography, Like a Fiery Elephant: The Story of B. S. Johnson poses the apparent paradox of a ‘novelist who loves (traditional) novels writing the biography of a novelist who seems to hate them’ (2004, p.
The later Philosophical Investigations goes a long way towards standing this on its head. Early on Wittgenstein refutes his own assertion that 114. “The general form of propositions is: this is how things are” – That is the kind of proposition that one repeats to oneself countless 40 Twenty-First Century Fiction times. One thinks that one is tracing the outline of the thing’s nature over and over again, but one is merely tracing round the frame through which we look at it. (1978b, p. 48) This is because ‘A picture held us captive.
If we consider the structure of Occupied City, the text illustrates this view. Occupied City concerns a writer who might or might not be the author (who has already intruded through the bibliography) hearing the testimonies of witnesses who are connected in some way to the bank robbery including a victim, detectives, a journalist, criminals, and Soviet and American military personnel. These witnesses are conjured up via a medium whose testimonies the writer writes down. Incorporated into these witness accounts are newspaper articles, military documents and statements.